BOSSA NOVA FULL

Not much of a songwriter himself, Gilberto applied his sound to songs by others, most notably Jobim, who collaborated with the artist throughout his career.īy the mid-1960s, with a military dictatorship now installed in Brazil, authorities clamped down on bossa nova at home. “He imitated a whole samba ensemble,” guitarist Oscar Castro-Neves told authors Chris McGowan and Ricardo Pessanha in their 1998 book The Brazilian Sound, reports Ratliff, “with his thumb doing the bass drum, and his fingers doing the tamborims and ganzás and agogôs.”īetween 19, Gilberto recorded three influential albums that served as some of the founding blueprints for bossa nova style. He worked with the guitarist to apply the new style to his song “Chega de Saudade,” which became Gilberto’s first bossa nova hit in 1958. He returned to Rio in 1957, where a music arranger, Antônio Carlos Jobim, heard Gilberto’s new guitar rhythms. After about seven months there, he ended up in his sister’s bathroom in the city of Diamantina in the state of Minas Gerais. A friend eventually got him a long-term gig at a hotel in Porto Alegre. But Gilberto ran into money problems when he refused to play in noisy clubs where people “talked too much.” He grew his hair long and showed up to performances in dirty, wrinkled clothes. In 1950, he moved to Rio, gigging around the city for several years.

BOSSA NOVA FULL

Born in 1931 in the Brazilian state of Bahia to a businessman and amateur musician, he left boarding school at age 15 to play guitar full time, following the pop music conventions of the day, Ben Ratliff at The New York Timesreports. Gilberto’s road to stardom was precarious. The compositions infused traditional Brazilian beats with American pop and jazz sensibility kitted out with flutes, saxophones and breathy vocalists singing nuanced lyrics. The new, urbane genre included the complex rhythms of samba with the percussion parts played on quieter nylon-stringed guitars. A new generation of middle-class and wealthy people moved away from the raucous sounds of samba and embraced the quieter, café-friendly sounds of bossa nova. The bossa nova style arrived at a time Brazil aspired to take a larger place on the international stage under the leadership of President Juscelino Kubitschek in the 1950s. Now, Felix Contreras at NPR reports, Gilberto has died in Rio de Janeiro at the age of 88. But in 1955, when João Gilberto locked himself in the bathroom of his sister’s house and began quietly playing samba beats on his nylon string guitar, another national music was born: bossa nova, or 'new style.' With that Gilberto co-founded the sound of post-War sophistication. Brazil’s best-known form of music is the samba, the drum-heavy, rhythmically intricate and danceable genre that powers Carnival.

Bossa nova